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The objective of this article is to analyze and interpret a series of semiotic-discursive interventions that have occurred in the seat of the Chilean government, the Palace of La Moneda. Underlying these observations is the conviction that the Palace of La Moneda is not only an architectural construction but also a material object that must be read as a sign; that is, a representation of aliquid pro aliquod.

The Palace of La Moneda: From the trauma of the Hawker Hunters to the therapy of the signs