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Urban space organization associates with specific characteristics in the transformation of society’s behavior and views; it is composed of principles of dichotomy that work as a system of signs to transfer meaning with conventional interpretation. The urban fabric as a context is full of signifiers that tend to convey a meaning implicitly carved in its space organization system. Therefore, it is not just a simple physical configuration. Instead, it is a translation of human experiences with the different synchronic architectural characteristics that needs a critical examination to segregate discrete layers of structural elements. The association is so prevailing that each portion has a significant role in creating a combination of mental prototypes of interpretation between the different factors that give the urban space its final form. The study aims to find the internal signs system within urban space organization that is a combination of signs that represents the aesthetic values of space. The study aimed to explore implicit space organization to make out what is internally powerful to work as aesthetic signs of urban space organization. We conclude that there is a difference as a result of intervening new concepts in the urban space organization without taking in account the existing sign system. This difference could be a source of misunderstanding and confusion in the space organization system and needs understanding and restructuring through the development of procedures.

The dichotomy of society and urban space configuration in producing the semiotic structure of the modernism urban fabric