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This article introduces the notion of heterosemiosis to describe the overt juxtaposition of different sign systems in graphic narrative texts. Using Guibert et al.'s (2009)  The Photographer  as an example, I argue that heterosemiosis is typically signalled through the use of ellipsis, excess, and/or some form of metadiscourse. Heterosemiosis can be used to draw attention to the problematic nature of all representation, thereby disrupting the narrative power of the author(s)/narrator(s) and opening up the possibility of alternative meanings and story interpretations. I also explain why I prefer the new term heterosemiosis to the commonly used notion of “hybridity.”

Heterosemiosis: Mixing sign systems in graphic narrative texts