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The soundtrack of  The King's Speech  plays a vital role in the semiotic structure of the film and reflects Victoria Welby's semiotic theory about language as articulate music. The innovative use of sound in the film allows the audience a space of its own. Instead of overpowering the audience with spectacle, the film invites the audience to use the soundtrack of the film to gain a conscious understanding of the visual dimension without being swept away by it.

The articulate music of language in The King's Speech