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This study analyzed several body writing artworks by a poet/artist whose poems served as the inspirations for his artistic compositions. One of the poems served as both a catalyst for the artworks as well as a motivated element in the artworks that helped to signify the artist's meaning. Through semiotic analysis of the artworks, relationships between the poetic text, the body text, and the body writing construct were explored. These artworks conveyed a multiplicity of meanings that seemed both superimposed and refracted, one upon another like the reflections in a mirrored room. The inscribed text on the body served as both a linguistic and artistic element that imparted a multi-faceted level of meaning to the artworks as a whole.

The mirrored Madonna: Text and symbol in body writing artworks