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Why do some Navajo poets write poetry that describes “ugliness” on the Navajo Nation and what do they believe they are doing by writing that poetry? I examine those questions by focusing on Blackhorse Mitchell's poem “Beauty of Navajoland.” I first discuss a performance of this poem to a Navajo and non-Navajo audience at Swarthmore College. I turn to discussions I had with Mitchell about his poetry and this poem. Contrary to an injunction on the Navajo Nation to dooajinída “don't talk about it,” Mitchell and other Navajo poets argue that it is only by talking about it that the “ugliness” can be restored to “beauty.” We need to understand these terms as bivalent terms — the iconicity of linguistic forms across languages — that reside in two linguistic systems.

Blackhorse Mitchell's Beauty of Navajoland: Bivalency, Dooajinída , and the work of contemporary Navajo poetry