English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Tools annual

Global: Zendy Free Plan

Global: Zendy Tools monthly

Global: Zendy Plus monthly

Kurt Lothar Tank’s highly circulated monograph on Gerhart Hauptmann (Rowohlt 1959) is based on his two essays from 1942, both marked ideologically by the spirit of the time. By their emphasis on spatial pattern, they - just like his later biography - correspond with Otto Schönstein’s stereoscopic publications, with which Tank had been involved since 1935. Hauptmann, on his part, objected resolutely to stereoscopy.

Der Dichter als Raumbild: Kurt Lothar Tank und Gerhart Hauptmann