English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Tools annual

Global: Zendy Free Plan

Global: Zendy Tools monthly

Global: Zendy Plus monthly

In genre theory, epic, dramatic and lyric poetry are often defined in terms of the past, present or future. This association of genres and time tenses is, howewer, far from being self-evident: The idea is widely unknown before 1800. Following recent studies on time and genre, my article traces this ›time criterion‹ back from Emil Staiger to its origins in the mid-18th century and into the German and French Enlightenment’s discourses on poetry.

Das Zeitkriterium in der Gattungstheorie und die frühmoderne Lyrikdiskussion