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Current accounts of the aims and methods of criticism as developed in Emil Staiger’s seminal essay »Die Kunst der Interpretation« typically do not concentrate on the role of aesthetic experience. We clarify the notion of aesthetic experience employed in Staiger’s essay and point out the centrality of aesthetic experience for his view of criticism. According to Staiger, aesthetic experiences are central to the aesthetic merit of an artwork, they guide the critic’s appreciation of aesthetic properties, and literary criticism should be concerned with the elucidation of how aesthetic properties are based on other manifest properties of a work. We also review some recent alternative reconstructions of Staiger’s view, and offer some routes to a critique of his view that is based on his central assumptions concerning the aims and methods of criticism, rather than on a rejection of them.

Zur Struktur und Rolle ästhetischer Erfahrung in Emil Staigers »Die Kunst der Interpretation« (1951)