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Based on the assumption of a strong diversity inherent in Renaissance culture, the article focuses on Michelangelo’s Rime within the framework of both petrarchist and anti-classicist discourses. In particular, the article examines three possible criteria in order to demonstrate the specific anti-classicism of the Rime: first, the specific autobiographical stylisation, second, the relation between text, writing and drawings of some autographs, and third the importance of fragment, ,non-finito‘ and short forms. Referring to Cod. Vat. lat. 311, 88v, the article draws attention to intermedial interactions of text, writing and drawings as well as to ambiguity, self-referentiality and processuality of artistic creation in the Rime. Furthermore, it will show that the concept of imitatio basically dissolves, although some of its mechanisms are still preserved.

Die ‚andere Renaissance‘. Michelangelos Rime und der Antiklassizismus