English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Tools annual

Global: Zendy Free Plan

Global: Zendy Tools monthly

Global: Zendy Plus monthly

French suburb movies are a relatively new film genre that tends to represent a challenge for sociolinguistic analysis, especially in the fields of language contact and variation. In many movies of this genre, the representation of contact between French and migratory languages, particularly Arabic dialects, and French variation (“verlan”) has a central function in vehiculating the filmic message. District 13 can be considered one of the exceptions to this rule. Language contact and variation are sensibly less important than in other “banlieue”movies. Themain issue of the present paper is hence a methodological one: the conceptualization of film analysis from a linguistic point of view necessitates an approach in discourse analysis. The sociodiscursive approach of the Bakhtin School is a particularly promising analytic tool for this objective. The application of the sociodiscursive method to the District 13 movies reveals the films’ central message, i.e., the defense of the republican values rooted in the French Revolution.

Polyphonie à la périphérie : Double-voicing et doublethinking dans le milieu de contact de « Banlieue 13 »