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Peter Ackroyd’s  Dan Leno and the Limehouse Golem  (1994) highlights juridical issues such as the normative function of law and the punishment of crime, and intertwines them with the emergence of the unconscious of the law itself as well as of the individual. This aspect is analyzed in particular through the concept of the performance of individual identity (theatrical and social) in the context of late-nineteenth-century London music halls, and extends itself to include the awareness of man’s dual personality and the emergence of the double within the tenets of detective fiction.

Theatrical Role-Playing, Crime and Punishment in Peter Ackroyd’s Dan Leno and The Limehouse Golem (1994)