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The goal of this article is to use structural, lexical and content analysis to make the case that the Church Father Lactantius, when composing  Divinae institutiones  6,21, engaged with Sen.  epist.  123,9 f. and pointedly refers to it. In the process, this whole chapter of Lactantius will be examined to see what the relation is between the decisive influence of the Seneca passage and that of other pre-texts that have already been identified as such in existing publications, especially the works of other Church Fathers. The content under discussion concerns the risks of purely instrumental music compared to those of artistically designed speech for the spirit of the listener, closely linked to the question of whether Christian writings, too, may – or even should – be aesthetically appealing. The treatment of this question leads ultimately to a general discussion of the relation of pleasure to virtue in the sense of a life pleasing to God.

Musik und Moral: Intertextuelle Bezüge zwischen Lact. inst. 6,21 und Sen. epist. 123,9 f.