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By examining an obscure passage of Jerome’s  Ep.  60, dedicated to the description of the death of the emperor Gratian, it is possible to identify an allusion to the Pseudo-Quintilianic  Major Declamations , which has hitherto been overlooked, referring in particular to the trail of bloody prints that appears on the wall at the centre of  Decl. mai.  1, “ Paries palmatus” .

Graziano e le mura insanguinate di Lione: (Ps.-Quint. Decl. mai. 1.11 – Hier. Ep. 60.15.3)