English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Tools annual

Global: Zendy Free Plan

Global: Zendy Tools monthly

Global: Zendy Plus monthly

The primary motivating force of the  Ephesiaca ’s plot can be attributed to the divine factor, which functions in a complementary and inclusive way with the intentions that inform the attitude of the various human agents. Eros’ initial scheme to avenge himself on Habrocomes’ pride constitutes the core of the composite divine intervention that both causes the primary couple’s wanderings and tribulations and brings about the happy denouement. Eros’ revenge centers on the hero’s body, which had been emphatically presented at the beginning of the narration as one of the main reasons for his arrogance towards the god, but ultimately aims at the rehabilitation of the hero, fulfilling thus the hopes of the Ephesians that someday Habrocomes will evolve into a noteworthy citizen. To this end, the purpose of Habrocomes’ wanderings and adventures also involves the acquisition through his several acquaintances of the necessary means that will ensure his future prosperity: in Hippothous the male protagonist will probably find a valuable ally for his subsequent political career in his native city, while the example of Aigialeus ensures the stability of the primary couple’s emotional bond. Furthermore, Habrocomes’ status is raised by the devotion of Anthia and the loyalty of his former servants. Finally, it is not inconceivable that Xenophon has been influenced by the philosophy of Heraclitus.

Eros’ Paedeutic Function in the Ephesiaca of Xenophon of Ephesus