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This essay is about a short sequence of Pina Bausch’s  Kontakthof with ladies and gentlemen over 65.  It discusses the hypothetical question as to “how to dance tango without dancing a tango?” I argue that the principle movement topics and practices of the Argentine Tango such as leading and following or the cruz are transformed by choreographic modes. In this way they constitute the structure of the Pina Bausch stage sequence .

paragrana

Vom Geschlechterkampf des 17. Kapitels in Pina Bauschs Kontakthof: oder: Wie sich der Tango tanzen lässt, ohne einen Tango zu tanzen Am Beispiel von Kontakthof mit Damen und Herren ab 65