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This article outlines Nietzsche’s understanding of perspectivism by discussing the critique of metaphysics in Human, All Too Human. In this work, Nietzsche carries out an intrinsic critique of his own enlightened, anti-metaphysical project by drawing both on explicit claims and on formal and aesthetic techniques of relativisation. The concept of dynamic perspectivism can serve as a mediator between these seemingly contradictory tendencies within the work. In contrast to certain tendencies in more recent Nietzsche studies however, this article suggest a reading of perspectivism that does not ensue total subversion or complete relativism but seeks to maintain the validity of individual perspectives.

„Einige Sprossen zurück“. Metaphysikkritik, Perspektivismus und die Gültigkeit der Perspektiven in Nietzsches Menschliches, Allzumenschliches