English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Tools annual

Global: Zendy Free Plan

Global: Zendy Tools monthly

Global: Zendy Plus monthly

This article examines the activities of international organizations in the field of music in the first half of the twentieth century. Despite the common association with music as a universal language and international art, it has not often been systematically investigated in the context of institutionalized international co-operation. By focusing on the International Musical Society, the International Society for Musicology, the International Society for Contemporary Music, the Permanent Council for the International Co-operation between Composers, and the activities of the League of Nations in the field of music, it analyzes common topics and different strategies to establish stable networks and co-ordinate the flow of information. By locating the activities of the experts involved along the two analytical axes of nationalization/internationalization and politization/standardization, it becomes not only possible to integrate the activities in the field of music into the history of international organizations, but also to gain important insights into the international and political origin of musicology as an academic discipline.

The Politics of Music in International Organizations in the First Half of the Twentieth Century