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The purpose of the proposed paper – which places itself within the field of Postcolonial Critical Discourse Studies (see Esposito, E. (2021).  Politics, ethnicity and the postcolonial nation – a critical analysis of political discourse in the Caribbean . John Benjamins Publishing Company) – is to analyse the multi-semiotic practices contributing to the characterisation of the protagonist of Trinidadian short-film “Doubles with Slight Pepper” as a cinematic portrayal of the hybrid Indo-Trinidadian identity. By way of a Multimodal Critical Discourse Analysis (Kress, G. and van Leeuwen, T. (1996).  Reading images: the grammar of visual design . Routledge, London, Kress, G. and van Leeuwen, T. (2001).  Multimodal discourse. The modes and media of contemporary communications discourse . Hodder Educations, London, Kress, G. and van Leeuwen, T. (2006).  Reading images: the grammar of visual design , 2nd ed. London: Routledge; O’Halloran, K.L. (2004).  Multimodal discourse analysis . Continuum, London), the study aims to cast light on the strategies exploited by the filmmaker (1) to depict the protagonist (Dhani) as an in-betweener whose ambitions are inhibited by his social status stemming from generations of subjugation and misuse by colonialists; and (2) to promote Indo-Trinidadian cultural specificities. Following an introduction to the key concept of individual and collective identity with a focus on Trinidad and Tobago, and an outline of diasporic cinema as applied to the Indo-Trinidadian community, the Multimodal Critical Discourse Analysis is carried out on the verbal, non-verbal, and visual sub-corpora gathered up in sequences according to the main three identitarian traits exhibited in the short-film: ‘religion/folklore’, ‘food’, and ‘lineage’.

Hybrid Indo-Trinidadian identities and tasty food: a multimodal critical discourse analysis of ‘Doubles with Slight Pepper’