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Research into Māori identity has revealed cultural identities that neglect to include a large number of Māori (McIntosh, 2005; Moeke-Maxwell, 2005; Meijl, 2006; Houkamau, 2010). Fluid Māori identity is an emerging cultural identity and is encouraging but there continues to be a gap in the research into an inclusive Māori identity (Borell, 2005; McIntosh, 2005; Moeke-Maxwell, 2005). I conducted a small scale qualitative study. Through ethnographic observations of two Māori female participants and semi-structured socio linguistic interviews, I explored the participants’ Māori identities and analysed my findings using multimodal interaction analysis. These findings revealed that the participants enacted two distinctive Māori identities. I also found that numerous networks and institutions contribute to the layers of discourse that enforce the Māori identities. At this point in the research I used poetry to enhance my analysis of the data as poetry can be used “to convey our experiences of other people and - even more audaciously - to explain why human beings think and act the way we do,” (Maynard &amp; Cahnmann-Taylor, 2010, p.14). I wrote two poems; each poem representing one participant. Writing these poems helped me to move from describing the findings of the research to analysing the findings.

Poems on Māori identity: From multimodal interaction analysis to poetry