English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Tools annual

Global: Zendy Free Plan

Global: Zendy Tools monthly

Global: Zendy Plus monthly

The creation of the Norman kingdom of Sicily was complemented by the development of a unique court milieu encompassing elements from the Latin West, Byzantium, and the Islamic world. The churches of Palermo, in particular, became the focus of a sophisticated project of experimentation and combination of different artistic traditions, to convey an artificial image of equilibrium among élites and communities of three different denominations: Latin, Greek-Byzantine, and Arabo-Christian. Through the creation and subversion of architectural boundaries, the promotion of certain forms of visual hybridity, the transgression of artistic media, and the articulation of new liminal spaces, the Norman rulers transformed their churches and cathedrals into an ideal stage for performing their liturgy of kingship, and conveying the message of a multi-faceted religious system unified and harmonized only through the king, as supreme head of the Church and vicar of Christ.

The King, His Chapel, His Church. Boundaries and Hybridity in the Religious Visual Culture of the Norman Kingdom