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Fictional heroes have long attracted the attention and emotions of their audiences and readers. Moreover, such sustained attention or emotional involvement has often taken the form of identification, even empathy. This essay suggests that since 9/11, however, a new cycle of heroism has emerged that has taken its place, namely the  hybrid hero  (cf. Van Tourhout 2017; 2018). Hybrid heroes have become increasingly popular during the post 9/11 period, offering escapism and reassurance to audiences in difficult times in which clear-cut divisions between good and bad, between right and wrong came under pressure. These characters challenge audiences and creators on moral and narrative levels because of their fluid symbiosis of heroic and villainous features. We find some well-known examples in contemporary TV-series such as  Breaking Bad ,  House of Cards , etc. Hybrid heroes are looking for ways to arouse audiences and are aiming at the complicity of the audience. The most striking example of this complicit nature can be seen in the TV-series  House of Cards  when Frank Underwood addresses the audience by staring into the camera.

Why Does Frank Underwood Look at Us? Contemporary Heroes Suggest the Need of a Turn in the Conceptualization of Fictional Empathy