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Like its primary medium language, poetry exists in two distinct forms: as written text and in oral performance. Nowadays, live poetry – poetry performed or ›read‹ by the poet to a live audience – constitutes an important mode of publication for poets and thus a prominent mode of experiencing poetry for the ›reader.‹ Given the increasing popularity of literary festivals, open mics, and poetry slams, one could justifiably claim that the English-speaking world is currently experiencing a live poetry boom. As such, live poetry entails a direct encounter and physical co-presence of poet-performer and audience in a specific spatio-temporal situation, a fact which has for a long time been neglected in the methodologies traditionally applied to the study of poetry.

Performing the Poet, Reading (to) the Audience: Some Thoughts on Live Poetry as Literary Communication