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Using William Shakespeare’s  Hamlet  and the play-within-the play,  The Murder of Gonzago , as a case study, this essay argues that theatrical utterances constitute a special case of language usage not previously elucidated: the utterance of a statement with propositional content in theatre functions as an event. In short, the propositional content of a particular p (e.g. p 1 , p 2,  p 3  …), whether or not it is true, is only understood—and understood to be true—if p 1  is uttered in a particular time, place, and situation (i.e. during a theatrical event); otherwise, the propositional content in those theatrical utterances can either be false or contingently true.

Propositions in theatre: Theatrical utterances as events