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Outside Paducah: The Wars at Home  (2016), a play written and performed solo by James Allen Moad II, a former Air Force pilot, explores the enduring effects of war on American veterans and their families after soldiers return home from the battleground. The play moves beyond the individual representation of a traumatized veteran by addressing two intertwined issues: the collective and transgenerational burden of war, both in the form of physical wounds and/or moral injuries.  Outside Paducah  contributes to promoting the stage as a dynamic place to think about the war legacy and to question and challenge war itself by stressing the importance of understanding the cost of war on both personal and societal levels. The play shows that the scenes of war fought in foreign lands are brought back to the home territories and families, who become equally demoralised by the perpetuation of war in their homelands. The soldiers return as ghosts of their previous selves and haunt their families and friends from one generation to the next. Therefore, war remains an open wound at the core of the American nation. At the same time, the play sheds some light on the harsh realities of the underprivileged and how joining the military often seems to provide a way out of the world of poverty and lack of resources.

Family Matters: Trauma and the Legacy of War in James Allen Moad II’s Outside Paducah: The Wars at Home