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This article explores Rimini Protokoll’s 2013 performance piece  Situation Rooms , which deals with movement and mobility in their various, currently most pressing shapes: it thematises the mobility of weapons, people, and data streams; it makes its audiences physically move; and it moves theatre itself – out of what Christopher Balme has called the ‘black box.’ The performance, which stages the dynamics between distance and nearness, makes mobility and movement graspable from challenging angles, and links them to the political, economic, and social workings of globalisation.

Mobile People, Weapons, and Data Streams; Mobile Audiences and Theatre Spaces: Rimini Protokoll’s Situation Rooms as a Globalised Theatre Experience