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Canadian contemporary theatre is defined by a preponderance of previously marginalised discourses such as Feminist drama, First Nations drama, or Queer drama. The centre to periphery dispersal that has driven the Canadian cultural scene since the Massey Commission’s final report (1951) has favoured the rise of these traditions into public awareness. At the same time, the voice of disabled persons is hardly ever heard on Canadian stages. This paper takes a closer look at two recent texts, Kevin Kerr’s  Skydive  (2007) and Brad Fraser’s  Kill Me Now  (2013), that aim to fill this absence.

Flying? Falling? – Conflicting Representations of Disability in Kevin Kerr’s Skydive (2007) and Brad Fraser’s Kill Me Now (2013)