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David Greig’s  Outlying Islands  can be read as a study of how people watch each other, and the implications of watching and being watched, both for fictional characters and for the spectators. This article analyses the ways identification processes are shaped with the gaze as the mediating actor, and how sexual awakening is bound up with the workings of the look. Sartre and Lacan’s perspective on the look will help to explain the experience of being a subject and an object as described in the play.

Spectatorship in the Theatre, the Cinema and Photography: The Gaze of Sartre and Roland Barthes’ punctum in David Greig