English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Zendy Open

Presents the pdf analysis as premium feature

PDF Analysis

Insights

Presents the summarisation as premium feature

Summarisation

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the zaia usage as premium feature

ZAIA

Zendy Tools

Zendy Plus

Presents the access of premium content as premium feature

Premium Content

To explore the issue of language in Djebar's work is no easy matter. In fact one may speak of languages rather than language and of voices rather than voice. And even when we speak of voices, Djebar's work is often about the non-voice and the multifarious silences of women. One important factor that groups these languages, voices and silences together is the omnipresent question of gender, which makes the main axle of Djebar's work from her first novel in 1957 to the present. Nevertheless, these two elements: language and gender are indissoluble when one speaks of Djebar, not only as a bilingual and Francophone writer but also as a bicultural woman straddling two worlds; that of the colonizer and that of the colonized both in colonial and post-colonial Algeria. She affirms, “For me, feminism has always been tied up with the question of language” (Djebar 1992: 176). This article endeavors to investigate the tantalizing fashion in which these two entities work in the Djebarian oeuvre.

Between the languages of silence and the woman's word: gender and language in the work of Assia Djebar