English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Tools annual

Global: Zendy Free Plan

Global: Zendy Tools monthly

Global: Zendy Plus monthly

The following essay examines the centrality of Cervantes’  Don Quixote  for the emergence of ideology as a concept as well as in traditional formations of ideology critique. Despite their vastly different readings of the Spanish novel, Marx, Lukács, Adorno, and Benjamin converge in their ambivalence towards the novel’s humor, the comic collision of illusion, and quotidian reality so painful for the delusional knight. If the novel’s comedy operates, on the one hand, with the power to dissolve phantasmagoric ideas, its epistemological potential would seem, on the other hand, to be particularly limited by reified relations of power and their critique. This potential of comedy stands to be reanimated against the backdrop of both contemporary cancel culture’s rebukes and current disputes around identity.

Die blauen Flecken der Ideologiekritik: ›Donquijoterien‹ in Positionen von Marx, Lukács, Adorno und Benjamin