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In contemporary German literature, diagnoses of the times can be observed that interpret social modernization processes as alienation and loss of meaning. The article examines whether the selected novels tie in with the culture-critical crisis consciousness of the turn of the century around 1900. This article develops the thesis that in  Der Eisvogel  by Uwe Tellkamp and  Sieben Nächte  by Simon Strauß, men appear as figures of crisis through which socio-pathological side effects of modern progress are articulated.

Männer in der Krise: Der fragile Körperzustand der Spätmoderne in der konservativen Gegenwartsliteratur (Tellkamp, Strauß)