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While the antisemitic impact of Sessa’s popular farce  Unser Verkehr  (1813) is well-known to historians of nineteenth-century literature and theatre, a careful contextualization of the notorious name of one of its characters – Isidorus Morgenländer – within the orientalist discourses of the time reveals that this play has not only anti-Jewish, but also anti-romantic tendencies. The reactions to Sessa’s play confirm this bidirectionality and the enhancing effects it had.

internationales archiv für sozialgeschichte der deutschen literatur

Orientalistische Namenspolitik im 19. Jahrhundert: Zur antiromantischen und antijüdischen Funktion des Namens Isidorus Morgenländer in der Posse  Unser Verkehr