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This article demonstrates how the socio-historic ‘present’ – in the emphatic sense of a social change going on  now and here  – is already existent in Christian Weise’s tragedy  Masaniello  of 1682, but it is present only by the inherent force of its historical subject matter – the revolt lead by Masaniello in Naples in 1647. Weise’s poetic elaboration however, and thus the formal presentation of the tragedy, aims at re-integrating the radical new material in given topoi and traditions.

Soziale Bewegung auf der Bühne: Zur Frage der Gegenwart in Christian Weises Masaniello