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The paper analyses the link between the National Socialist Euthanasia-Programme, the Holocaust and the effect of these mass murders on the children of perpetrators as depicted in Martin Walser’s Der schwarze Schwan. First performed during the Frankfurter Auschwitz-Process, the drama prefigures later psychoanalytical theories on the transmission of guilt to the second generation. A close reading of the drama reveals the importance of childhood memories and contrasts them with Walser’s statements on the effect of the holocaust on his childhood memories.

internationales archiv für sozialgeschichte der deutschen literatur

Nachwirkungen des Nationalsozialismus. Mechanismen der Schuldübertragung auf die Kinder der Täter und ihre erinnerungskulturellen Funktionen in Martin Walsers Drama Der Schwarze Schwan