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Although Susan Hill has become a prolific writer of ghost narratives in the last decades, it was at a particularly momentous stage of her life as a woman writer that she published  The Woman in Black  (1983), which is considered her first ghost novel. Evoking the Victorian past,  The Woman in Black  engages intertextually with Victorian novels within the Gothic genre. The character of the Woman in Black comprises features pertaining to different Victorian Gothic archetypes, such as the ghost, the vampire, and the double. Some of the traits pertaining to these literary archetypes echoed Victorian anxieties about aging that are recovered and reinterpreted in Hill’s novel. Furthermore, in analogy with a Gothic romance, the encounter between the narrator as a young man, Arthur Kipps, and a spectral aging woman, the Woman in Black, unleashes the hero’s process of coming of age, which he recollects in his old age as he is writing his narrative. Narratological features pertaining to the Gothic genre, like the use of a frame narrative that blends past and present, underscore the dynamics of aging, since processes of interrupted aging and premature aging disrupt the boundaries that conventionally distinguish life stages. This article approaches Hill’s  The Woman in Black  as a contemporary ghost novel that evokes and subverts Victorian discourses of aging and gender, at the same time that, from a contemporary perspective, it vindicates the figure of the Victorian fallen woman as an aging mother.

“It made her age hard to guess”: Narrating the dynamics of aging and gender through Victorian Gothic archetypes in Susan Hill’s The Woman in Black