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This paper argues that some postmodern experimental forms of plot and narrative structure can be thrown into sharper relief by delineating them with medieval narrative practices of plot development. Ali Smith’s 2014 novel  How to be both  offers an experimental plot that is shaped by the alterity and modernity of medieval and Renaissance art. Drawing on the technique of fresco painting, the novel narrativizes the experience of simultaneity created by recollections of the past in the present. The novel’s two narrative strands – one set in contemporary England, the other in fifteenth-century Italy – are linked in associative and cross-temporal ways and highlight individual experience. Bearing similarities to medieval episodic narratives, the novel maximizes an a-centric narrative design that capitalizes on the reader’s input in motivating the story. Subsequently,  Tokyo cancelled  (2005) by Rana Dasgupta is briefly discussed as another example of a postmodern novel reminiscent of medieval narrative practices: in this tale collection held together by a very loose framework, plot itself becomes the protagonist as an epitome of modern society’s loss of identity.

“Both close and distant”: Experiments of form and the medieval in contemporary literature