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For the first time Emil Bønnelycke’s  Asfaltens Sange  (1918) is examined in the context of Marc Augé’s theory of places and non-places in this paper. The analysis of  Asfaltens Sange  focuses on the implicit presence of places and non-places. Reading Bønnelycke in content of Augé opens up for a new research position; it elucidates his position to ‘supermodernity’. Places and non-places are palimpsests in Bønnelycke’s text about Copenhagen’s urbanity. The main subject in  Asfaltens Sange  is the walk in Copenhagen. The big city is considered a space of formation that should be ‘read’ to disclose its anthropological status.

Kopenhagen als Nicht-Ort: Zu Emil Bønnelyckes Asfaltens Sange