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This article explores and examines the narratological concepts of metalepsis and disclosure as they manifest themselves in Karen Blixen’s  Seven Gothic Tales  (1934/1935) and  Winter’s Tales  (1942/1943). At the core of the examination lies the inference that it is possible to trace metaleptic movements in a wide-ranging selection of Blixen’s tales. Furthermore, it becomes evident that metaleptic movements and disclosure functions have the potential to destabilize ontological boundaries between fiction and reality in a way that deepens the literary communication between author, text, and reader.

Når forfatteren snakker med. Metalepsis og disclosure i Karen Blixens fortællinger