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Letters as a form of communication gain their meanings not least by performative practices hints of which are clearly shown in their materiality. Vice versa, the paper discusses the possibilities of performing and making a film of correspondences using the example of Paul Celan and Ingeborg Bachmann (published 2008) and its film version  Die Geträumten  (‘Dreamed people’, 2016). The performative aspects of letters may also be represented by audio books or picture books. Yet especially digital letter editions should examine the phatic and conative functions of letter communication supplying specially designed kinds of metadata and their visualizations. The ‚Jenaer Romantikertreffen‘ (‘Jena Meeting of Romanticists’) in 1799 serves as a final historical example.

Performanz in der Briefkommunikation und ihre editorische Repräsentation