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The compendium of the Polish-born Ottoman court musician and interpreter ʿAlī Ufuḳī/Albert Bobowski, MS Paris, Bibliothèque Nationale, Turc 292, is a crucial source of the history of music in the Ottoman Empire and at the same time a highly individual document. On 626 pages it contains notations of the most diverse genres, song texts and many marginal notes relating to various aspects of music. Composed between the 1630 s and 1670 s in Istanbul, it can be understood as a still image of the predominantly oral tradition. This results in special challenges to edition and performance practice. In exchange with three Turkish experts in the fields of performance, musicology and instrument building, the present contribution explores possible interpretations and inspirations for a historically informed performance practice of Ottoman music on the basis of ʿAlī Ufuḳī’s notations.

Edition im Dialog: Das Kompendium des ʿAlī Ufuḳī (Istanbul, Mitte 17. Jahrhundert) in kritischer Edition und historischer Aufführungspraxis