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Special cases call for special editorial principles. The real longsellers under Early New High German chapbooks are retold for half a millennium again and again. If you perceive these works as a material transmitted, multi-dimensional ‘type of book’, the philological attention switches from the original authors to printers, engravers, tradesmen, and other artisans. These become the actual agents of the history of literature. Therefore the editorial practice has to precede a transmission orientated literary historiography and analysis. This is shown in the present case by considering the example of a hybrid edition of the prose-novel Herzog Ernst. The printed book and its ‘paratexts’ become the historical object of philology. This approach gains relevance beyond the genre of chapbook.

(Para-)Textuelle Werkrevision: Konsequenzen einer Literaturgeschichte als Überlieferungsgeschichte