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This paper analyzes one kind of Ballardian landscape, wastelands created by nuclear explosions, and aims at interpreting them as a study of the un-making of the human-made world. Cityscapes of ruins, crumbling concrete concourses and parking lots, abandoned barracks and military stations, radiation and mutations make Nagasaki, Eniwetok and Mururoa wasteland snap-shots of the future. In the minds of the protagonists, the un-made landscape is strangely soothing; they are attracted by the post-nuclear imagery and gladly embrace the upcoming catastrophe. Nagasaki, Eniwetok and Mururoa are the harbingers of a future where one can experience the nirvana of non-being. In this paper, I discuss the Ballardian un-making of the world and, hopefully, point to the subliminal meaning of atomic explosions in his works. To do this, I first discuss the references to the atomic bomb in Ballard's non-fiction ( A User's Guide to the Millennium , J.G.Ballard Conversations). Then, I isolate and describe the subsequent stages of the un-making of the world using his depictions of Nagasaki ( Empire of the Sun, The Atrocity Exhibition ); Eniwetok ( The Atrocity Exhibition ,  The Terminal Beach ), and Mururoa ( Rushing to Paradise ). Finally, I suggest a hypothesis explaining the subliminal meaning of nuclear bombs with reference to Freud's theories.

The Art of Un-Making: Nagasaki, Eniwetok, Mururoa, and J.G. Ballard