English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Tools annual

Global: Zendy Free Plan

Global: Zendy Tools monthly

Global: Zendy Plus monthly

With acute historical awareness, African American playwright Suzan-Lori Parks uses abundant signs in the form of words, movements, sights, and sounds in her plays to create an imagined world, helping readers and audiences to revisit forgotten and neglected history and contemplate on how to read Africana history. In  Venus , she wields rapid transformation of space, inserts a play-within-the-play, and presents historical extracts to reconstruct history. This article uses theatrical space as a critical tool to investigate how Parks uses the configuration of theatrical space within and theatrical space without to express historical allusions, reconstruct historical events, and bridge the gaps hidden between remembered and forgotten history in  Venus .

Unveiling the past: the multidimensional theatrical space in Suzan-Lori Parks’s Venus