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This paper aims at confronting a semio-anthropology of the face, based on the principles of Lévi-Strauss and Greimas, with the representation of the visage in Japanese Nō theater. As a theory, semiotics permits an explanation of the signification of faces, reduced at first to a series of masks, and their representations in different cultures. Within this framework, we will show that representations of visages in Nō form a semiotic system specific to both Japanese culture (myths, legends) and theatrical performance, and that the latter reintroduces a dynamic dimension which questions their status. Initially described as “narrative masks” depicting characters, they finally emerge as “movement masks” that blur the boundary between mask and face even further.

The visage and the mask: semiotic considerations around representations of visages in Japanese Nō