English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Plus monthly

Global: Zendy Tools annual

Global: Zendy Tools monthly

Global: Zendy Free Plan

This paper draws on a translated and adapted excerpt from the author’s book,  Marguerite Duras: La chambre noire de l’écriture  (2021) (original title: 玛格丽特·杜拉斯:写作的暗房) .  Starting with Marguerite Duras’s unpublished essay, “Les petits pieds de la Chine,” written around 1950, this paper aims to reveal how childhood memories are generated and transformed into Duras’s typical mode of writing about the self over time, which holds good for understanding and analyzing the five versions of lover(s) that Duras created from the 1940s to the early 1990s. The theme and destination of Duras’s creation is not so much love as writing, which never stops generating “another possibility of returning to the original book.”

From “Chinese bound feet” to “Chinese lover(s)” – excerpts from Marguerite Duras: La chambre noire de l’écriture