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Henri Michaux's artistic production possesses a double and, one might say, contrary and/or complementary nature. It draws on the forms of expression in two different media, notably verbal and visual. His work's ambivalent nature reflects Michaux's intention to brake the mold of traditional sclerotic signifying systems, and to form new paradigms. It seemed to be a very difficult proposition for the artist to create new forms of expressions without having new frames of reference that would allow the spectator/reader to follow the work's progress. Michaux, however, succeeded in overcoming this obstacle by combining elements from both media in his texts and drawings. His method of going back and forth between the written and visual forms, where text and pictorial figures intermix sometimes on the same page, is typical of Michaux's creative process throughout his entire career.

A Semiotic Transformational Process from Verbal to Pictorial Expressions in Henri Michaux’s Works