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There has been little communication studies research into the neonatal end-of-life  photography offered to families experiencing the death of a newborn in hospital settings.  To contribute insight into how families experience this photography, a phenomenological  study was conducted with parents ( n  = 10) who had photos taken around the  death of their newborns within a Canadian neonatal intensive care unit. This article reports  findings from data collected through semi-structured interviews about the meaning these  photographs hold for families after they leave the hospital and about their experience of sharing  these images with others. The paper concludes with a discussion on neonatal end-of-life  photography as domestic photography, contextualizing the practice within the contemporary  culture of constant capture and circulation of family snapshots. I propose the public presence  of these photographs as family photographs has potential to challenge the current culture in  which expressions of mourning around reproductive loss are otherwise rendered invisible.

Bereavement photographs as family photographs: Findings from a phenomenological study on family experience with neonatal end-of-life photography