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Hartmann von Aue’s ›Ereck‹ and ›Iwein‹, Wolfram von Eschenbach’s ›Parzival‹ and Heinrich von dem Türlin’s ›Crône‹ all include fighting scenes that link mutual physical exhaustion and elaborate metaphors to a spectrum of outcomes between winning and losing. The metaphors derive from quotidian social contexts of a courtly audience: games, love, oaths and markets connote constellations of equality or superiority. While the metaphors illuminate the hierarchy of the two fighters, I argue, they also mirror the cause of the fight on the discursive level. The scenes thus form an intertextual group featuring a poetological connection between exhaustion and the metaphorical visibility of the cause of the fight.

Spiel, Minne, Schwur und Markt: Metaphorik und körperliche Erschöpfung in Zweikämpfen der mittelhochdeutschen Artusliteratur