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This paper explores the ritual of the  dirbāsha  as an extraordinary miracle performance and its role as a bodily practice in the formation of modern Muslim subjectivities among the Qādiriyya-Kasnazāniyya Sufi communities in Iraq. During the climax of collective  dhikr  gatherings, male Sufi novices perform extraordinary and dangerous acts, perforating parts of their bodies with swords or long skewers without seriously injuring themselves. From the Sufi perspective, this ritual is, first of all, interpreted as the miracle of a Sufi shaykh and not of the performing Sufi novice since it is seen as an expression and proof of God’s power as transmitted through the shaykh. Moreover, it has been argued that the ritual is constitutive for the formation of the religious subjectivity of the performing Sufi novice since it allows the embodiment of mystical concepts as emotional, sensorial and existential realities. For the individual ritual experience to work, the social construction and constant reframing of these “miracles” needs to be taken into account as well, namely the ordinary ethics of the extraordinary which allow the miracles to be perceived as such. The present case of the Kasnazāniyya will show how Sufis combined their pious with a modern, critical and self-reflexive subjectivity and successfully managed to reframe this highly controversial practice – which is criticised by religious reformists and secularists alike – beyond its traditional ritual context with the modern science of parapsychology.

Sufism, subjectivity and parapsychology: refashioning the dirbāsha ritual among Sufis in modern Iraq