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This paper examines the images of trigram  Gen  in the  Yijing , with a focus on images in the  Shuogua  說卦 commentary. The  Shuogua  presents images either found in or to be extrapolated from the base text within a structured and highly interpretive system that forms “image programs” for each of the eight trigrams. I argue the  Shuogua ’s image programs have a defined architecture, and its images are not random lists of words collected without an agenda and devoid of relationships and mutual interaction with others. My main thesis is a high percentage of images in the  Changes  developed through a simple and direct pictographic method, like the one used in a recently discovered Warring States period divination guidebook called  Shifa  筮法 ( Method of Milfoil Divination *), that was done by matching the graphic shapes of individual numbers and the overall shapes of numbers in three-line combination to shapes of real objects and logographs. If a diviner could see so many pictographic images in single numbers and sequences of numbers in combination, like what we now see in operation in the  Shifa , then we ought to assume that a deeper repository of subjective and innovative images could be observed in number combinations at the multiline, trigram, and hexagram levels. Stated directly, trigram and hexagram diagrams were not pictorially meaningless; numbers produced images, and images produced the words and judgments that form early layers of text. Professional diviners had an expert knowledge of the tradition and Warring States use of the  Changes  continued to develop and explain image programs for the eight trigrams along these guidelines.

Between Numbers and Images: The Many Meanings of Trigram Gen 艮 in The Early Yijing